Contributed by Pamela Turley, author of The Thinking Woman's Guide to Men
Carrie tries to oblige, being the obliging sort, but you
painfully watch her slip from disillusionment to despair as the realization of
who this man really is dawns on her. She gave up everything she knew to be with
him. Now she is left wandering around a strange, foreign place, lonely and
alone, a mere appendage and companion to an "important" man. This is
not what she signed up for.
Elation, dreams of romance in the City of Lights, hope for a
future - all collapse around her during the final fight of the relationship.
When she protests his treatment of her, he calmly states: "I thought I
made it clear who I was." She replies, "Well, maybe it's time I made
it clear who I am. I am a person who wants love - deep, all-encompassing,
can't-be-without-each-other love."
But, of course, it's too late now. The problem began in the
beginning. From the start, Carrie got lost in her romance-novel fantasies and
projected them on the situation. Who can blame her, really? Here was a
world-famous artist, rich, sophisticated and worldly, and he seemed captivated
by her. It's natural to want it more than anything you've wanted before. It’s
natural to believe you just won the romantic lottery.
But the red flags were there. Remember the disastrous dinner
party Petrovsky hosted for her friends while he sat silent and judgmental?
Remember when she spontaneously brought the girls by to meet him one evening
and he turned them away, only to justify himself by wallowing in artist angst?
She compromised and excused little by little until there was nothing left to
compromise but her soul.
Say what you want about 'Sex and the City'. In the midst of
the ditsy-ness and glamour, there are lessons to be learned here. In the
beginning of your relationship, no matter how rich or powerful the man, create
your own boundaries. Never give up your life. And always remember: If it's too
good to be true, it probably isn't. An ounce of reality is worth a thousand pounds
of broken romantic dreams.
Luckily for Carrie, she had the guts to leave her
unrealistic fantasies of Petrovsky behind. She left him standing in the
expensive hotel suite. She is at the front desk, negotiating a new room when in
walks none other than Mr. Big, who has come to Paris to search for her. She is
saved!
Cheesy, right? A complete fairy-tale with every bad cliché
from every bad chic flick. Well, I'll tell you a secret. I cried. Me, the big
testosterone tough-girl cried. Why? Because in our little girl hearts that's
what we all want, isn't it, whether it's realistic or not. We want Mr. Big -
the hard one, the commitment-phobe, the one who seems to have everything but us
- to discover that it is exactly us that is missing from his life. We want him
to be the good guy. We want him to say, with tears in his eyes, "It took
me a long time to get here. But you are the One." And then we want him to
take us home.
It's so easy in the movies. Things can work out like that.
And because it seems so right to us, and appeals to our little girl longings,
somewhere inside us, we believe it. And then we try - we bloody our fingers
trying, against all odds - to re-create the fairy tale. And that, my sisters,
is where the heartbreak begins.
Pamela has written a book for all us sisters, trying to navigate the world of men, which you can find here. If you have a story with a fairy tale ending or not, add it to the comments on this My Embellished Life page and I'll give you your own post and promote it to my networks.
Check out my chick-lit story of a down-on-her-luck fashion intern, and her domineering pensioner landlady.
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